The accompaniment tends to be broad and chordal, with Copland-esque harmonies only at transitional points and climaxes in the third and fourth verses. While to my fond words she listen’d He said, “I did not want to take any chance of it being construed as racist.” In 1950’s America, this was a very enlightened viewpoint.

My horse says, Neigh, neigh, by Aaron Copland (1900 - 1990), "At the river", 1952, first performed 1958, stanzas 1-2,5-6 [baritone and piano or orchestra], from Old American Songs, Second Set, no. –Vivian Perlis, 1998, from Boosey & Hawkes Web site I fed my hen under yonder tree.

I fed my goose under yonder tree. “Cast off down the middle!” The songs were met with such success that Copland composed a second set in 1952 consisting of “The Little Horses,” “Zion’s Walls,” “The Golden Willow Tree,” “At the River” and “Ching-a-Ring Chaw.” The second set premiered in 1953, again with the Warfield/Copland pairing. And provide our robe and crown.

It’s built around Vaughan Williams’s Songs of Travel, and Liverman’s account of the opening song, ‘The Vagabond’, combines a firm, oaky baritone with a sharp interpretative attitude – this wanderer... Great Moments at Carnegie Hall (highlights), Divas in Song at Carnegie Hall, New York City, December 8, 1991, United States Army Band: From Sea to Shining Sea, Great Performances from the Library of Congress, Vol. Where you ought to be I bought me a goose, my goose pleased me.

With the melody of peace.

Where the rock threw back the billow

Copland begins with a simple accompaniment which gains in strength and intensity beginning with the orchestral interlude before the third verse. Soon we’ll reach the shining river, My goose says, Quaw, quaw, My duck says, Quaa, quaa, I Bought Me a Cat

Simple Gifts Available translations, adaptations, and transliterations (if applicable): This text was added to the website: 2005-09-19 Line count: 24 Charvet has a warm, appealing mezzo, with a tangy lower register and fine dynamic control at the top. Soon our pilgrimage will cease, With its crystal tide forever

Soon our happy hearts will quiver A. Copland sets stanzas 1-2, 5-6, Musical settings (art songs, Lieder, mélodies, (etc. Flowing by the throne of God.

‘Tis the gift to be free William Warfield noted that Copland had worked to achieve a recitative style by placing the simple accompaniment on the weak beats. Ching-a-ring-a ring ching ching, William Warfield noted that Copland had worked to achieve a recitative style by placing the simple accompaniment on the weak beats. Ching-a-ring-a ring ching ching, –Vivian Perlis, 1998, from Boosey & Hawkes Web site.

or simply "At the River" are the popular names for the traditional Christian hymn titled "Hanson Place," written by American poet and gospel music composer Robert Lowry (1826–1899). It was written in 1864 and is now in the public domain. The simplicity of these ten songs, coupled with Copland’s sensitive treatment of them, seems to point to the composer’s desire to return to a less complicated period in time. Great Moments at Carnegie Hall [Selected Highlights from 125 Years of Performance History], Simple Gifts: American and British Art Songs of the 20th Century, American Anthem: From Ragtime to Art Songs, Copland: Appalachian Spring; El Salón México; Old American Songs; Fanfare for the Common Man, Trumpet Songs: Art Songs of the 19th and 20th Centuries, From Sea to Shining Sea: A Musical Celebration from the United States Army, My Native Land: A Collection of American Songs, A Salute to American Music: Highlights from the Richard Tucker Foundation Gala XVI, Divas in Song: A 60th Birthday Celebration. Copland found portions of the text in need of rewriting due to its minstrel origins. Copyright © 2002-20 Presto Classical Limited.

‘Till by turning, turning, we come round right.

“I Bought Me a Cat” is a whimsical children’s song in the style of “old MacDonald,” with a verse repeating and adding a new animal with each iteration (the last “animal” being a wife!). Dwelt a maid beloved and cherish’d Sort by: Results per page: 10; 20; 30; 40; View: Filter results Show results …

To meet within the walls of Zion? Ching-a-Ring Chaw Shall we gather by the river, The composer Benjamin Britten asked Copland to arrange a set of American folk tunes for his Music and Art Festival in Aldeburgh, England. Hoa dinga ding kum larkee, Long time ago, Volunteers are critical to the success of the NMPhil. If you have no money, Copland uses a homophonic, chordal style of accompaniment for the uncomplicated melody. Adèle Charvet (mezzo), Susan Manoff (piano), Selected highlights from 125 years of performance history. By the time the Old American Songs were written, much of America’s innocence was beginning to fade. Gather with the saints at the river, The song affords the soloist the opportunity to impersonate the various animals and the accompaniment simulates barnyard sounds of the cat, duck, goose, hen, pig, horse and cow.

), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive). “Ching-a-Ring Chaw” is a jaunty ditty, filled with syncopation and quick syllabic treatment. I bought me a horse, my horse pleased me. Copland scored his second set of Old American Songs for "medium voice" and piano, later arranged it for voice and orchestra (premiered in 1958 by mezzo Grace Bumbry), and ultimately asked others to prepare versions of four of the five songs for chorus and orchestra; in the case of "At the River," the task fell to former Copland student Raymond Wilding-White. Word count: 142, This website began in 1995 as a personal project by Emily Ezust, who has “Ching-a-Ring Chaw” is an early minstrel song. by Aaron Copland (1900 - 1990), "At the river", 1952, first performed 1958, stanzas 1-2,5-6 [baritone and piano or orchestra], from Old American Songs, Second Set, no. 4. text verified 1 time by Charles Edward Ives (1874 - 1954), "At the river", 1916, stanzas 1-2.

I bought me a duck, my duck pleased me. Praise our spirits will deliver My cow says…. Where bright angels’ feet have trod, But with autumn leaf she perished

“Zion’s Walls” is a revivalist tune with words and music by John G. McCurry (1821 – 1886), a farmer from Georgia who published the song collection, The Social Harp. When searching for songs to set for his Old American Songs Copland scoured the Brown University Library, specifically the Harris Collection, in search of interesting material.

Copland uses solo flute and oboe along with reflective and tender string writing to convey the sadness of lost love and death. Come sisters and brothers, The song affords the soloist the opportunity to impersonate the various animals and the accompaniment simulates barnyard sounds of the cat, duck, goose, hen, pig, horse and cow. Browse: Copland - At the River. Brothers gather round, The beautiful, the beautiful, river.

My cat says, fiddle eye fee. The accompaniment is characterized by afterbeats, string pizzicato and trombone solos. The subject matter for Copland’s songs was drawn from several places, not all uniquely American—politics, religion, children, love and loss, death, and the minstrel stage. Your gift is greatly appreciated. To turn, turn will be our delight Musicnotes features the world's largest online digital sheet music catalogue with over 300,000 arrangements available to print and play instantly. Gather with the saints by the river Warfield would go on to become the singer most identified with the songs and spoke often on his collaborations with the composer. My pig says, Griffey, Griffey, “Simple Gifts” is a Shaker hymn from 1848, the words and melody written by Elder Joseph Brackett, which was later quoted by Edward D. Andrews in his book The Gift to be Simple: Songs, Dances and Rituals of the American Shakers (1940). This gives the illusion of a slower tempo, even though Copland’s treatment of the hymn is fairly brisk. To learn more, see our Privacy Policy. This proved very successful, yielding both “Long Time Ago” and “The Boatmen’s Dance.” “Long Time Ago” is a minstrel song with words attributed to George Pope in 1837, possibly adapted from John Cole (1833), and music by Charles Edward Horn.

Soon our pilgrimage will cease,

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