The introduction of reel-to-reel tape machines and the creative engineers that used them brought on some of the fattest sounds imaginable.

Increasing the lag time creates a spacious stereo chorus. I waited a while to write this review to gain some experience and use out of the Deco. Do you believe this rating to be inaccurate or unacceptable for some reason?

Yes, we have used Deco with vocals and it works very well. Because both playback heads were being monitored, the effect had an inherent delay from input to output and hence tape-flanging was not a real-time effect, meaning not able to be used in a live performance situation. The NAB and CCIR recording standards in the US and Europe respectively called for a flat frequency response through record/playback process with minimal harmonic distortion. Just got word back from Strymon. Whether you’re a classic spring reverb fan or a studio rack aficionado, you’ll find your mojo here. The high frequencies (already boosted by the pre-emphasis curve) will be pushed harder into limiting while their distortion components will be largely inaudible but will contribute to intermodulation distortion during playback. So, what happens when those VU meters are pushed further into the red? The low frequencies were also given a small boost/cut treatment to reduce low-frequency mechanical noise and any power-related hum in the NAB standards. The overall response of the recording side (tape plus Pre-emphasis) has a boost in high frequencies, while the playback side (tape plus De-emphasis) has a corresponding cut in high frequencies. Payment can be made safely and securely with Credit Card, Bank Transfer or PayPal. Inverting the phase of the echo deck creates a subtle difference in the low-end response that can sound more natural in some applications, as the sound-wave is inverted in a physical reflection. Some vocals too. And this is true, the one and only exception I've ever come across being the Strymon Deco. The chorus and doubling effects used slightly longer delay times that do not cross through-zero but still required using the sync signal from the reference deck to send to the lag deck. Of these, 4 customers have written no texts or given their feedback in another language. With the internal jumper set to stereo, it will accept stereo line level signals from its TRS input to work with your stereo mix. Prepare for Reverb Bliss. The Strymon is stereo in / stereo out, and can run just fine at +4 level in studio mode without any sort of added interface or reamp type box. The general ideas is – boost before recording and cut after recording to minimize noise. you might need a couple plugs to cover it all, but would still be cheaper and easier. I was seriously considering the Deco but since I already have flanger, chorus pedal (in the Strymon Mobius) for my guitar, I am now considering using the Waves Reel ADT plug-in for vocals, which is pretty much the same as a Deco, but with more depth to it. It's often said that gear will never make you sound better than you are. 60 customers have given this product a 5-star rating. When the tape is saturated (during peak transients or when the record level is cranked up), the effective high boost of the pre-emphasis is diminished as the tape cannot record larger signals. The professional reel-to-reel machines designed in the 50’s and 60s were high-fidelity units built to accurately record and reproduce full-range audio signals. Another set of tonalities can be had by inverting the phase of the lag deck so that the signals experience a cancellation instead of a reinforcement as the delay approaches zero. Alternatively, please feel free to use our accounts on social media such as Facebook or Twitter to get in touch. Fig:1 Record, Playback and Combined Frequency Responses.

Doubling effects would be achieved around 40ms to 60ms with or without additional speed modulation.

As a company, we have a single objective: making you, our customer, happy. Any chance you know a release date yet? Described as making tracks sound ‘fatter’, ‘fuller’, or ‘punchier’, the intrinsic properties of the record/playback process create a level- and frequency-dependent dynamic response.

Tape saturation characteristics are determined by a combination of many factors, including tape formulation, bias signal and track width. For static comb-filtering effects, the decks are run with a constant offset lag between them. With the internal jumper set to stereo, it will accept stereo line level signals from its TRS input to work with your stereo mix.

With both decks in sync at zero lag, a slight modulation of the speed of the lag deck creates a subtle panning movement between the channels due to the precedence effect.

Why not use a plugin and just Bounce it in place and commit to it? On the playback side, the playback heads and de-emphasis curve will roll-off the high frequencies, resulting in an overall spectrum that has reduced high end. NO PLUG INS! The equalization on the recording side is known as Pre-emphasis and the equalization on the playback side is De-emphasis. Depending on the dynamics of the material, the transient peaks might experience much greater than 3% distortion. We do not accept liability for typographical errors or inaccurate information of any kind. Similarly, it sounds great with heavily distorted guitar signals. Hi Jason, we are working towards in the next two weeks being able to take orders Thanks! It's all in the fingers. Turning up the recording level intensifies this effect and rewards dynamic playing. 5 customers have given this product a 4-star rating.

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